Trying to Hide, Yet
Understand It
I have nowhere to hide. The sycamore, ash and maple have dropped their bountiful clothes leaving only the vacancy of open sky among scant limbs and lichen. If I could sing a song of despair, I would, enlisting the voices of Diana or Pan, the light tripping feet of sprites who might give me a place among immortals
to lay out my arguments for the troubles
of my heart. But there is only the cool winter air, the face of the November half-moon, the soulful conversations between two owls, or the raucous meters among ravens, and I am left absolutely alone in thought, as are we all in such semi-dark moments. Am I or am I not given permission by my self to converse with each molecule of my body as if they all had speech and opinion as
to life and to the machinery thereof? Are the facile questions of my mind up to the profound responses from my DNA? There are the comfortable letters from the
past, from Thomas Reid,[1] who cautions us as to the source of our melancholy and its arm chair postures, that leave us far too perplexed to think
like the pure animals we are. I have no where to hide, except in the recesses between the rolling seas of each passing and passed
thoughts. Yes, the leaves of the maple and the ash
have gone to earth, signaling the breathing of the planet’s heaving bosom, and signaling my steps, each one placed this way and that in ways I should not attempt too much in the way of serious contemplation.
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