| An Evans Experientialisn Guest Site Dedicated to the work of the Liverpool Poet Back to Home |
|||
| The Poetry of Nicholas Hancock The Poet of Despair Published by The British Hancock Society with the permission of the author. |
|||
![]()
|
|||
MY FIRST ASH TREEMiss Broadbent took us ten-year-olds through the paddock past grazing ponies and whisking tails to a tree. ‘This is an ash – the common ash, boys.’ We stood round her in a ring so she wouldn’t need to raise her voice. She reached for a frond. ‘See this? – It’s a rachis,’ she said, ‘R-A-C-H-I-S, rhymes with “lake is”. Morris Minor raised his hand: ‘The lake is what, Miss?’ ‘Just is, Morris. Is. Notice this cluster – always an odd number. What’s an odd number, Hancock?’ ‘One, three, five, Miss. . .’ ‘Good. And you see this rachis has nine leaves, all opposing (not against each other, just
opposite, see?) except this last one. Like a bunch of keys.’ The green keys shushed her plaintive voice, but she didn’t hear. ‘Take out your note pads and pencils and sketch a rachis.’ ‘What’s a rachis, Miss?’ The tree looked down on the school, its limbs clothed by shaking green keys. As I drew my rachis, I remembered Mr Gloyne telling us about the Ash of the
Worlds, home to the northern gods before they’d died, of their rainbow bridge from earth to its
crown. Above it they’d hung the dome of giant Ymir’s
skull, and sparks had shot up from the to the cranial vault, shimmering stars and sun and moon. At the end, when the giants attacked the
Ash of the Worlds, the stars fell like swallows exhausted by their lifelong flight. I’d only have to pause in my sketching to catch sight of Heimdall’s horn that would announce the last fight, or, glancing up, would catch a glitter from the golden cockerel that should have
warned the gods or see the four famished deer grazing those
leaves. ‘We must go back to the classroom now.’ My body followed the grey bobbed hair past the tail-lashing ponies – but my heart remained in Yggdrasil.1 1. The ash tree in Norse mythology
|
|||
| BACK TO TOP OF PAGE |