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Heidegger Moore

The Necessity For Debate
(With Rene de Bakker)
IN SIX WEB-PAGE PARTS - PAGE FOUR
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A problem I have been dealing with in Heidegger is that In BEING AND TIME, Heidegger takes a very radical view of dasein's authentic appropriation of tradition which, by necessity, completely takes it apart and puts it back together again as dasein actually knows it instead of the 'everyday' passive acceptance of a vague theme of what tradition is that never examines it rationally in detail or judge even if it fits together coherently.Gary C. Moore 2001


 

From: Rene de Bakker To: heidegger@lists.village.virginia.edu Sent: September 5, 2000

Gary C. Moore wrote
3-9-00 -0400, :

It is strange that Heidegger, in his book THE FUNDAMENTAL CONCEPTS OF METAPHYSICS: World, Finitude, Solitude does not actually discuss "solitude" [Einsamkeit] but rather "individuation" [Vereinzelung] which, instead of being a withdrawal or detachment or being cut off, is a process of interaction with the world -- which would really make it more consistent with "world" and "finitude" than "solitude" which is a withdrawal or detachment from interaction into silence or destain for communication. Does Heidegger actually discuss "solitude" as such, the real thing, anywhere? If so, I have missed it. For after all, he says he has "loneliness", not that he is "alone".

Hi Gary,

Heidegger in 1930 presents Einsamkeit and Vereinzelung as 2 words for the same thing. See German p. 8, bottom, of the "Metaphysical Concepts":

"Endlichkeit IST nur in der wahren Verendlichung. In dieser aber vollzieht sich letzlich eine VEREINZELUNG des Menschen auf sein Dasein. [...] Diese Vereinzelung ist vielmehr jene VEREINSAMUNG, in der jeder Mensch allererst in die Naehe zum Wesentlichen aller Dinge gelangt, zur Welt. Was ist diese EINSAMKEIT, wo der Mensch je wie ein Einziger sein wird?"

When we apply the all-important par. 70 ("the fundamental methodical Ueberlegung to the understanding of all metaphysical problems and concepts"), to these concepts, and prohibit any present-at-hand character of what they intend, if we follow the direction of their indication, - Grundbegriffe show into the Dasein - we become ourselves a happening (Geschehen) of Dasein. We verendlichen, are becoming finite; vereinsamen, become ein-sam, one-some; vereinzeln: become einzeln, individual. Only then, according to Heidegger's "thesis" in this lecture, *world* comes into play.

About this loneliness/individuation one can still talk publicly, as Heidegger did, with all reservations. Heidegger also said to Wisser: "Yes, your question *is* a question, but not mine." To clarify the question of being on tv, is already very difficult - Wisser is constantly afraid, Heidegger in the end won't do it - but as to the question of solitude, his solitude, it is impossible. (Springer etc.) So loneliness here, in the lecture, would regard his, Heidegger's question. The question of the loneliness of Heidegger and of everybody else in this world is another one, and maybe can be talked about privately. Or in a different medium, I remember again the play by Lorca, wherein an old professor, called Martin, is disparaged by his own pupils, and Heidegger, who was attending it together with Petzet, whispered in his ear: that's me.

The interview has been the only one on tv, H. granted during his life and, together with the Spiegel-interview, was planned deliberately, as everything he did vis-a-vis the public world. Incl. what he publicized when.

I'll have to think longer about the rest of your mail, esp. about: "There is still something Heidegger wants."

I don't think the missing of a public as such is decisive with Hoelderlin and Nietzsche. During his last years Nietzsche started to break through. He corresponded with Taine, and Brandes' discovery, he knew, was the beginning of his "fame". But then something else started. He seemed rather to *loose* his solitude, the domain of finitude, by becoming Dionysos. And Hoelderlin wrote from Bordeaux: Apollo has hit me. I'm not sure, what role Mme Gontard played in this. Back home, he wrote in utmost concentration some of his finest poems.

Anyway, this is endless. Van Gogh, Dostojevsky's "Idiot" ... Nietzsche: who besides me, knows, what Ariadne is?

(May I recommend to you: "Aladin's problem" by Ernst Juenger, which has to do with this?)

thanks,

Rene

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