Fredric Jameson
(Professor and Chair of the Program in Literature
and The Center for Critical Theory, Duke
University)
The End of Temporality
—from "Regressions of the Current Age," Preface to A Singular Modernity.
October 11 College Eight 240, 4:30 PM
In a language and a land hostile to its operations,
Fredric Jameson has crafted a dialectical
critical method of singular power and efficacy.
His metacriticism, ranging in register from
the inescapable, hortatory "Always Historicize"
to the real work of historicizing a wide
range of critical, filmic, artistic, and
literary genres, has been central in the
continuation of a vibrant and engaged Marxist
critique. Postmodernism, history, narrative,
form itself—he has not only shaped our understanding
and conception of these and other fundamental
elements of critical discourse, but has made
the political stakes of this discourse clear.
Jameson’s Marxism is a capacious one—not
eclectic, but attentive to the logic of the
critical situation. Few critics, for instance,
would be capable of making both Adorno and
Brecht central to a critical project, as
Jameson did in Late Marxism: Adorno, or,
the Persistence of the Dialectic (Verso,
1990) and Brecht and Method (Verso, 1998).
Jameson is the author of seventeen books
and dozens of essays. His criticism is the
subject of many studies, including books
by Perry Anderson, Douglas Kellner, and others.
His work has been translated into all the
major European and Asian languages. It has
been particularly important in Japan, China,
and the Chinese-speaking areas. Houxiandaizhuyi
he wenhua lilun (Postmodernism and Cultural
Theory), published in China in 1987 and reprinted
in Hong Kong and Taiwan in 1988 and 1989,
had a transformative effect on Chinese critical
discourse.
Periodization, historicization, and temporality
have always been central concerns in Jameson’s
work. His most recent book, A Singular Modernity,
is being published this fall by Verso. It
examines revivals of discussions of modernity
and aesthetic modernism against the perceived
disappearance of alternatives to capitalism,
offering a meta-critique of the concept and
a diagnosis of the stage of capitalism which
has given birth to it. His talk at Santa
Cruz represents further thinking on these
questions.
"What is…identified as the history of
ideas is poorly equipped to deal with intellectual
regressions of this kind, which can often
more plausibly be accounted for by political
conjunctures and by institutional dynamics.
The defeat of Marxism (if it really was defeated)
checked the flow of much contemporary theory
at its source, which was the Marxist problematic
as such (even if it traveled via the detour
of Sartrean existentialism and phenomenology).
Meanwhile the professionalization (and increasingly,
the privatization) of the university can
explain the systematic recontainment of theoretical
energy as such, as aberrant in its effects
as it is anarchist in its aims. But this
is precisely why such reinstutionalizations
and their regressions can scarcely be numbered
among the consequences of postmodernity,
with the latter’s well known rhetoric of
the decentered and the aleatory, the rhizomatic,
the heterogeneous and the multiple. Nor can
one imagine that this was exactly what Jean-Francois
Lyotard had in mind when he celebrated the
displacement of the "grand narratives"
of history by the multiple language games
of the postmodern, which surely implied the
invention of new games and not the artificial
resuscitation of those of the academic yesteryear."
—from "Regressions of the Current Age,"
Preface to A Singular Modernity.
The Center for Cultural Studies
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2009-2010 ADVISORY BOARD Christopher Connery
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2009)
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The Center for Cultural Studies at UC Santa
Cruz was founded in the Spring of 1988 as
a part of the University of California's
President's Humanities Initiative. It is
now in its twenty-first year. Through an
ensemble of research clusters, conferences,
workshops, visiting scholars, publications,
film series, and a Resident Scholars Program,
the Center has encouraged a broad range of
research in the rapidly evolving field of
cultural studies. An external review of the
Center in 1993 confirmed the Center's reputation
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steadily, on the campus, in the nation, and
abroad. The international field of cultural
studies has emerged from the challenges posed
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agendas by new research strategies in visual
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and the new areas of scholarly activity they
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for Cultural Studies' concern is to foster
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it engages with the "interpretive"
or "historical" social sciences,
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The Center's activities fall into four categories:
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