THE END OF TEMPORALITY- ATHENAEUM LIBRARY OF PHILOSOPHY

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The End of Temporality
a review by



By California Center for Cultural Studies *

118 Kerr Hall* University of California Santa Cruz, CA 95064
(831) 459-1274 FAX (831) 459-1349 cult@ucsc.eduy

(* For details of The California Center for Cultural Studies see end of review.)
Fredrick Jameson

Fredric Jameson is the William A. Lane Jr. Professor of Comparative Literature at Duke University. He is also chair of the Program in Literature and of the Center for Critical Theory. He is the author of many works, includingPostmodernism, or, The Cultural Logic of Late Capitalism (London: Verso, 1991) and most recently The Cultural Turn: Selected Writings on the Postmodern, 1983-1998 (London: Verso, 1998). During his recent stay at the Cornell University School of Criticism and Theory, Jameson shared with us some of his thoughts on contemporary culture.




Fredric Jameson
(Professor and Chair of the Program in Literature and The Center for Critical Theory, Duke University)

The End of Temporality
—from "Regressions of the Current Age," Preface to A Singular Modernity.

October 11 College Eight 240, 4:30 PM

In a language and a land hostile to its operations, Fredric Jameson has crafted a dialectical critical method of singular power and efficacy. His metacriticism, ranging in register from the inescapable, hortatory "Always Historicize" to the real work of historicizing a wide range of critical, filmic, artistic, and literary genres, has been central in the continuation of a vibrant and engaged Marxist critique. Postmodernism, history, narrative, form itself—he has not only shaped our understanding and conception of these and other fundamental elements of critical discourse, but has made the political stakes of this discourse clear. Jameson’s Marxism is a capacious one—not eclectic, but attentive to the logic of the critical situation. Few critics, for instance, would be capable of making both Adorno and Brecht central to a critical project, as Jameson did in Late Marxism: Adorno, or, the Persistence of the Dialectic (Verso, 1990) and Brecht and Method (Verso, 1998).

Jameson is the author of seventeen books and dozens of essays. His criticism is the subject of many studies, including books by Perry Anderson, Douglas Kellner, and others. His work has been translated into all the major European and Asian languages. It has been particularly important in Japan, China, and the Chinese-speaking areas. Houxiandaizhuyi he wenhua lilun (Postmodernism and Cultural Theory), published in China in 1987 and reprinted in Hong Kong and Taiwan in 1988 and 1989, had a transformative effect on Chinese critical discourse.

Periodization, historicization, and temporality have always been central concerns in Jameson’s work. His most recent book, A Singular Modernity, is being published this fall by Verso. It examines revivals of discussions of modernity and aesthetic modernism against the perceived disappearance of alternatives to capitalism, offering a meta-critique of the concept and a diagnosis of the stage of capitalism which has given birth to it. His talk at Santa Cruz represents further thinking on these questions.

"What is…identified as the history of ideas is poorly equipped to deal with intellectual regressions of this kind, which can often more plausibly be accounted for by political conjunctures and by institutional dynamics. The defeat of Marxism (if it really was defeated) checked the flow of much contemporary theory at its source, which was the Marxist problematic as such (even if it traveled via the detour of Sartrean existentialism and phenomenology). Meanwhile the professionalization (and increasingly, the privatization) of the university can explain the systematic recontainment of theoretical energy as such, as aberrant in its effects as it is anarchist in its aims. But this is precisely why such reinstutionalizations and their regressions can scarcely be numbered among the consequences of postmodernity, with the latter’s well known rhetoric of the decentered and the aleatory, the rhizomatic, the heterogeneous and the multiple. Nor can one imagine that this was exactly what Jean-Francois Lyotard had in mind when he celebrated the displacement of the "grand narratives" of history by the multiple language games of the postmodern, which surely implied the invention of new games and not the artificial resuscitation of those of the academic yesteryear."

—from "Regressions of the Current Age," Preface to A Singular Modernity.


The Center for Cultural Studies

118 Kerr Hall* University of California Santa Cruz, CA 95064
(831) 459-1274 FAX (831) 459-1349 cult@ucsc.edu

*Visiting address only; not a mailing address. Mail should be addressed to the Director: Carla Freccero, Humanities Academic Services, University of California, Santa Cruz, CA 95064.

STAFF Carla Freccero, Director Natalie Purcell, Graduate Student Researcher

2009-2010 ADVISORY BOARD Christopher Connery (Literature, Fall) Rosa-Linda Fregoso (LALS) Donna Haraway (History of Consciousness, Spring) Gail Hershatter (History) Sharon Kinoshita (Literature) Eric Porter (American Studies) B. Ruby Rich (Community Studies) Vanita Seth (Politics; Acting Director Fall 2009)

DIRECTORS' WINTER OFFICE HOURS Carla Freccero: Tuesdays, 1:30-3:30 PM, Humanities 637

Staff support for Center for Cultural Studies events is provided by the Institute for Humanities Research.

The Center for Cultural Studies at UC Santa Cruz was founded in the Spring of 1988 as a part of the University of California's President's Humanities Initiative. It is now in its twenty-first year. Through an ensemble of research clusters, conferences, workshops, visiting scholars, publications, film series, and a Resident Scholars Program, the Center has encouraged a broad range of research in the rapidly evolving field of cultural studies. An external review of the Center in 1993 confirmed the Center's reputation for innovation, a reputation that has grown steadily, on the campus, in the nation, and abroad. The international field of cultural studies has emerged from the challenges posed to traditional humanistic and social scientific agendas by new research strategies in visual studies; anthropology, ethnography, and folklore; feminist studies; comparative sociology and politics; semiotics; social, cultural, literary, and political theory; science studies; colonial discourse analysis; ethnic studies; and the histories of sexualities. These challenges, and the new areas of scholarly activity they stimulate, compose the heart of cultural studies at UC Santa Cruz. Thus, the Center for Cultural Studies' concern is to foster research across divisional as well as disciplinary boundaries. While based in the humanities, it engages with the "interpretive" or "historical" social sciences, as well as with theoretically informed work in the arts. The membership of the Center's Advisory Board and faculty/graduate student participation in its events clearly reflect this cross-divisional agenda.

The Center's activities fall into four categories: the Resident Scholars program, Research Clusters, Conferences, and Lectures and Colloquia. This last set of activities can be accessed via our Events Calendar.


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Postmodernism and Consumer Society