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Heidegger Moore

HEIDEGGER'S IDEALISM
IN FOUR WEB-PAGE PARTS - PAGE ONE
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A problem I have been dealing with in Heidegger is that In BEING AND TIME, Heidegger takes a very radical view of dasein's authentic appropriation of tradition which, by necessity, completely takes it apart and puts it back together again as dasein actually knows it instead of the 'everyday' passive acceptance of a vague theme of what tradition is that never examines it rationally in detail or judge even if it fits together coherently.Gary C. Moore 2001


 

ON HEIDEGGER’S GREEK IDEALISM AND THE NECESSITY OF COMMUNITY OR 'BEING-WITH' and concerning A POSSIBLE MISSAPPREHENSION IN HEMMING IMPLYING DIVINITY CAN SPEAK

Part 1

In the PARMENIDES lectures (trans. Schuwer & Rojcewicz, Indiana University Press, 1992) Laurence Paul Hemming refers to pages 71-73 of HEIDEGGER’S ATHEISM, where Heidegger describes what he conceives as the original sense of Greek perception as the “object”, and that is the word he uses [“Objekts”, German page 153], presenting itself to the perceiver and as being the prototype from the Platonic Idea (English 103-104, German 152-155). The very first thing that should be thoroughly emphasized and strictly clarified is that this is perceptual, visual!

. . . That still at the end of the Greek world, namely with Plato, Being was thought in terms of the “sight” and the “look” in which something shows itself, in terms of the “countenance” that at any time “a thing” or, in general, a being “takes on.” The “countenances” things take on, their “outward look,” is in the Greek eidos or idea. Being—idea—is what in all beings shows itself and what looks out through them, the precise reason man can grasp beings as beings at all. That which looks out into all that is ordinary, the uncanny as showing itself in advance, is the originary looking one in the eminent sense: to theaon, i. e., to theion. We translate “correctly” [GCM: re “correspondence theory of truth”], though without thinking in the Greek manner, “the divine.” Oi theoi, the so-called gods, the ones who look into the ordinary, are oi daimones, the ones who point and give signs. Because the god is, as god, the one who looks and who looks as the one emerging into presence, thea on, the god is the daion-daimon that in the look presents himself in looking is a god, because the ground of the uncanny, Being itself, possesses the essence of self disclosing appearance . . . That which within the ordinary comes to presence by his own look is man. Therefore the sight of the god must gather itself within the ordinary, in the ambit of the essence of this human look, and must therein have its figure set up.

Now the text continues with a sentence very important to Laurence Paul Hemming’s theological purpose:

Man himself is that being that has the distinctive characteristic of being addressed by Being itself, in such a way that in the self-showing of man, in his looking and in his sight, the uncanny itself, god, appears.

Hemming translates it as:

Humanity itself is that being whose particular appointment is to be addressed (in the sense of spoken to) from being itself in such a way that in the self-pointing of humanity, in its looking and in its sight, the uncanny itself, the god, appears.

The German is:

Der Mensch selbst ist dasjenige Seiende, das seine Auszeichnung darin hat, vom Sein selbst angesprochen zu sein, so daß im Sichzeigen des Menschen, in seinem Blicken und seinem Anblick das Ungeheure selbst, der Gott, erscheint.

My sad rendition:

The person himself is that being which has its honor [to be] addressed of itself, so that in the showing-itself [Schzeigen] of the person, in its looking and its view the monstrosity (or: the tremendous) itself, the god, appears.

I can see no reason whatsoever to introduce, as Hemming does, into the visual aspect of the Platonic eidos “addressed in the sense of spoken to”. Does anyone else find a justification for it? Merriam-Webster has this entry for “addressed”:

Main Entry: 1address

Function: verb

Inflected Form:-ed/-ing/-es

Etymology: Middle English adressen, from Middle French adrescer, adresser, from a- (from Latin ad-) + drescer, dresser to straighten, arrange * more at DRESS

transitive verb

1 obsolete a : to make straight : set in order : ARRANGE *whose stately numbers are so well addressed Richard Barnfield* b : to make right : CORRECT, REDRESS *a parliament being called to address many things John Milton*

2 a : DIRECT, AIM : make straight (as a course) *the enemy of mankind T towards Eve addressed his way John Milton* b : to direct to go : SEND, DISPATCH *he was addressed first to the Earl Gilbert Burnet*

3 archaic a : to make ready : PREPARE *he did address himself to quit T this mountain land Lord Byron* b (1) : to make ready or prepare (as with proper clothing)(2) : CLOTHE, DRESS c : to put on : DON *I have addressed a frock of heavy mail Robert Browning*

4 : to direct the efforts or turn the attention of (oneself) *he addressed himself to the remains of his chicken and salad C. D. Lewis* *the speakers addressed themselves to a common question* : try to apply (oneself or one's powers) *address yourself to the task of behaving better Aldous Huxley*

5 a : to direct by way of communication : communicate directly *addressing his thanks to his host* *they addressed to the governor a plea for clemency* b : to direct the words of (oneself) *addressing himself to the principal, he defended the students' behavior*

6 a : to speak, write, or otherwise communicate directly to *addressing the chairman, he began his speech* *she addressed the older woman respectfully* b : to deliver a prepared or formal speech to *he addresses the convention tonight*

7 a : to write or otherwise mark directions for delivery on : DIRECT *address a letter for mailing* *address a package for delivery by messenger* b : to consign or entrust to the care of another (as agent or factor) *the ship was addressed to a factor*

8 : to greet directly using a prescribed form either in speech or in writing *many people are uncertain about how to address members of the nobility*

9 : to direct one's attentions to (as in courtship) : COURT, WOO *she is too fine and too conscious of herself to repulse any man who may address her J. R. Lowell*

10 a : to take one's stance and adjust the club preparatory to hitting (a golf ball) b : to stand ready to shoot (an arrow) with the body turned at right angles to the target c : to bow slightly to (one's square-dancing partner) in preparation for a dance

11 law : to unseat or remove (a judge) as unworthy of office by executive order in accordance with a formal petition from the legislature

12 a : to put information into (a memory or storage device) b : to call upon (such a device) for information

intransitive verb

1 obsolete : to prepare oneself : set about *let us address to tend on Hector's heels Shakespeare*

2 obsolete : to direct one's speech or attentions *my lord of Burgundy, we first address toward you Shakespeare*

synonyms see DIRECT

This has for the most part to do with intentionality toward an objective or perceptual situation. With the German “angesprochen“, the meaning of „gesprochen“ is „spoken”. But in Heidegger’s context itself, it seems clear the traditional meanings of the English “addressed” apply and essentially has to do with ‘dealing with a situation’. Any comments?

The concept is presented with great difficulty as if something we “moderns” have never experienced before and find hard to conceive. But we have. We are thoroughly familiar with it. Maybe we do not like to think about it because it seems to display a drastic and fundamental flaw in “modern” life. It may seem to resemble the “fall” and being “cast out of the Garden of Eden”, but this remains a myth because this “flaw” is inherent in any human political society. The Platonic eidos can only authentically function in a Greek polis, but, though the polis does have aspects of a far more cohesive and life-long community, the essence of that cohesiveness, when knocked off balance for whatever reason, can have even more severe repercussions than a modern society accustomed to being “knocked off balance”, that is, always in a state of being challenged as a way of political life and making a proper place for those challenges to be performed. The polis as such always had a string conservative culture behind it even in Athens so that it adjusted poorly to changes in political perspective in conflict with standard customs, for instance, the execution of the victorious Athenian admirals after a great sea victory because they did not stop in the middle of the battle to pick up the Athenian dead in the water, or even the execution of the politically and religiously conservative Socrates as a renovator of ancient religion. However, as a place, a topos for eidos as commonly shared perception, the polis is ideal.

Heidegger says, “We moderns . . . understand “looking” exclusively as man’s representational self-direction toward beings. But in this way looking does not at all come into sight; instead it is understood only as a self-accomplished “activity”, that is, an act of re-presenting. To re-present means here to present before oneself, to bring before oneself and to master, to attack things. The Greeks experience looking at first and properly (my italics)as the way man emerges and comes into presence, with other beings, but as man in his essence (Heidegger’s italics). Thinking as moderns and therefore insufficiently (my italics), but for us surely more understandably (my italics), we can say in short: the look, thea, is not looking as [an] activity and act of the ‘subject’ but is sight as the emerging of the ‘object’ and its coming to our encounter [Hemming: but the arising and coming-toward of the ‘object’ . . . self-pointing]” [last phrase: Der Blick, thea, ist nicht das Blicken a ls Tätigkeit und Akt des ‘Subjekts’, sondern der Anblick als Aufgehen und Entgegenkommen des ‘Objekts’ . . . sich-zeigen.] (103). (The view, thea, is not the looking as an activity and act of the ‘subject’, but rather the view as a rising, a coming up and meeting the ‘object’. . . itself-show.)

Now here we have the very curious opposition of “proper” versus “insufficient” with a very confusing third odd term “understandable” that belongs to us poor retarded moderns which of course includes Heidegger necessarily, and . . . he is perfectly conscious, in an underhanded sort of way, of exactly what that means. I have discussed what I call Heidegger’s “sliding duplicity” elsewhere in regard to THE FUNDAMENTAL CONCEPTS OF METAPHYSICS: World, Finitude, Solitude, trans. McNeil & Walker, Indiana, 1995. in that text, derived from lectures given in 1929/30, Heidegger makes his method perfectly obvious on the surface because of his “sliding” from the point of view of human being determined by and as language, logos, the zoon logon echon, that subtly “slides” into the point of view of human being as animal. What seems judgmental from a ‘superior’ point of view, “the animal is poor in world” as deficiency, ‘slides’ almost imperceptibly into a possibly superior point of view. The distinction, then, between eidos being either visual or verbal would be of great importance because the emphasis then of perceiving the eidos that necessarily requires a communal vision would fall on the “animal” of Aristotle’s , “Hence it is evident that the state is a creation of nature, and that man is by nature a political animal”, 1253a2-3. Why it is “imperceptible”, that it is only “possible” there is no predetermining language, and therefore it becomes difficult to state the real problem in language other than by subtle suggestion and the aporias of logical contradiction? If an idea comes from sight instead of word, there is no reason an animal cannot see the gods as oi daimones.

What is “proper” is Platonic Idealism which Heidegger relates all this to directly on the very next page. I will take as a representative of both the “insufficient” and the “understandable” (this is falling into place all too easily) David Hume while omitting the label “empiricist” which others apply to him and he never accepted himself just like he never accepted the labels “atheist’, “agnostic”, or “deist” (he called himself a “philosophical theist” consistently throughout his life).

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