
RICHARD SANSOM: Correct me if I am wrong, but both of you
seem to be overlooking the possibility
[and
presently working reality] of intervention
by sentient agents. The laws of thermodynamics,
gravity, etc, can be thwarted, thus
equilibrium,
entropy and all such 'natural' inclinations
of the cosmos [if there are any] can
be altered.
How does such intrusion by sentient
agents,
such as ourselves, play into EP?
GARY. C. MOORE:
Do not take what I say too seriously. It
is muddled and merely reactive and maybe
wholly inappropriate. The phrase 'intrusion
by sentient agents' bothers me, but this
is not an objection because what Richard
goes on to say I agree with whole heartedly.
….. but the point is, 1] thinking is always
a work-in-progress, and second, the actual
point I was trying to get to, 2] thinking
is always-already within the system being
thought about so it cannot be 'intrusive'
as it is always-already within it, and 3]
the system itself is, by nature of the mortal,
finite human existence thinking it, always
incomplete, fallible, and the very word 'law'
means merely a group of non-systematic facts
FORCIBLY correlated together because they
seem to fit together, produce results, and
can be replicated in scientific experiments.
However, I would say the concept 'natural
law' is wholly bogus because, as a 'law'
it can only be meaningfully enunciated within
a CLOSED SYSTEM which is only perceivable
by the mind of God which, if no logical objections
can be raised and they probably should be,
there can be no 'closed systems' whatsoever
because the only REAL judge is fallible,
finite, and mortal human existence. So a
sentient agent cannot 'intrude' into a system,
or rather ongoing systematization it is always-already
within and which can only observe the immediate,
and therefore temporary 'temporary' not in
the sense it will change, for instance the
law of thermodynamics, but that I can only
'know' it on a momentary, now now now now
basis. And that, because of my finite human
nature, no, rather because I simply am what
I am whatever that is another open unsystematic
systematizing in progress.

RICHARD SANSOM:
Gary, if I understand the above, you are
saying that as integral elements in
the cosmos,
we are part of it and intrusion is
superfluous.
I agree with you if that is what you
mean.

GARY. C. MOORE:
Yes. In my torturous way I was making
a statement
about the real inherent impossibility
of
closed systems which, to make things
worse,
is actually just becoming apparent
to me
or I am just now realizing obvious
implications
of what I have said in the past. This
in
turn makes any abstraction, including
mathematical,
actually a very loose 'bag' containing
a
'distinct concept' by standards not
really
completely logical but motivated far
more
by efficiency of gaining results while
snipping
off considerations that seem irrelevant
to
one's purpose in using any purportedly
strict,
scientific, or mathematical concept.
This
actually goes back further to the discussion
of the 'unity of the brain' which I
questioned
which in turn brings into question
the 'unity'
of the personality or the self or any
'clear
cut' purpose a supposedly highly focused,
intellectually aggressive person may
have.
However, these are very, very vague
thoughts
I am merely trying to work through.
But what is beginning to fascinate
me is
that a sort of genii may have been
let out
of the bottle in that ANY 'human' activity
actually involves MUCH more than what
we
have our attention focussed upon, and
if
our 'attention' is brought to some
of these
points [like, ' Why do you do that
with your
hand when you talk?' is no longer dismissed
as a personal 'quirk' precisely because,
upon becoming conscious of it, your
whole
personality and ability to act to either
a minor or a major degree becomes self-conscious
and - especially listen to this! -
awkward!
WHY is becoming 'self-conscious', which
according
to the rational meaning of the words
means
a kind of mental focusing, ACTUALLY
IN ACTION
MEAN - BECOMING UNFOCUSSED AND DISORIENTED?
It seems to point to 2 [two] kinds
of 'paying
attention' that are actually at complete
odds with each other, even antagonistic.
Am I talking nonsense?
This realization may have to do with
my current
job distress, anxiety, depression,
despair,
suicidal tendancies, etc, which even
discribing
it as such, and then putting those
'irrelevant'
things together with the new process
of doing
'all' our 'paperwork' on computer -
with
all the logical contradictions that
purported
growth in efficiency has brought about
-
one has MORE paperwork to do not less,
one's
attention is split between numerous
different,
equally important things one MUST 'pay
attention'
to while still being a finite human
being
that can only be at one place at one
time.
And then one starts reading about wholesale
computer identity thief, first the
VA medical
records from 1976 in a 'routine' burglery
in a 'suburban' home and just now for
me
but actually 'old news', a thieft from
a
major credit card sorting concern [I
am vague
about what 'it' is] of personal data.
'One
must stay focused' - but what does
that really
mean anymore?
I'm running out of time and becoming
unfocused.
Just to barely touch on with very ill
considered
thoughts . . .

RICHARD SANSOM:
However, I make the distinction between organic
and inorganic entities and in that sense,
the organic gopher intrudes into the inorganic
earth, and we intrude into the cosmos i.
e. sentience intrudes into insentience .
If one chooses to make no such distinction,
I simply disagree. Perhaps it boils down
to the concept of intentionality, I may be
entirely wrong, but that concept I ascribe
only to organic entities, and only sentient
ones at that [Does that mean that sentience
= the ability of intentionality? Probably.].
Yes, crystals grow and other natural processes
occur as a function of their composition,
but growing crystals can surely be separated
from my choosing a certain wine?

GARY. C. MOORE:
This is merely speculation now . . . but
if one is constructed wholly of basically
inorganic elements, would it be all
that
much of a stretch to say the inorganic
nonsentient
is having sentient intention? Can we
say
that there really is a distinction,
especially
considering what I said above and elsewhere
about the impossibily of disregarding
supposedly
extraneous events and closed systems
comprehensible
only by God, between sentient and insentient.
Another way to put it, what do we do
- OR
do 'we' do? do 'I' do? - when 'we'
think?
Doe we think in actuality always in
the plural
and is focusing of intent merely a
spiritualist
mythology?
All for now. Now remember, I am truly
very
fuzzy about ALL of this.

JUD EVANS:
The first thing I wonder about is whether
the cosmos [everything-there-is-for-ever-and
ever] REALLY is a closed system? Nobody on
God's earth knows this, so how can they describe
it as a closed system? Intuitively [my guess]
is that it is completely the opposite, and
the cosmos is an 'unclosed' everything-there-is-for-ever-and
ever system that extends for ever in every
direction. I say to those who claim otherwise:
*Describe what the boundaries are, and what
they are made of?* And if he answers:
*They are made of nothing,* I would
answer:
'Ok! Go and make me a 'nothing sandwich'
with plenty of 'nothing sauce!'
JON NEIVENS
I guess it’s more a question of how
you define
‘closed’ in this context. The Earth
isn’t
a closed system because it’s powered
by the
Sun, i. e., there’s energy entering
the system
from outside. So I’d say the idea of
boundaries
isn’t really the issue in this context.

JUD EVANS:
In the context you mention I agree. If the cosmos is an open system that
goes
on for-ever-and-ever then it means
that parts
of that for-ever-and-ever will eventually
be affected by other [even far-flung]
parts
of the for-ever-and-ever. Even on lil'
ole'
earth hundreds of years ago, Chinese
goods
reached Iceland which must have seemed
light-years
apart in the 11th century.
JON NEIVENS
I guess the $64,000 question there
would
be whether the ‘laws of physics’ are
uniform
throughout the universe. If there are
some
parts that are ‘subject to different
laws’
and those parts interacted with our
portion
of the universe, then that would certainly
produce interesting results.

JUD EVANS:
Spot on! We will never know for sure.
The
general vibes I get from the scientific
reading
I do [more *come-across* than seek
out I
admit] is that many if not most scientists
seem to believe that the *laws of physics*
[I can see Richard crinkling up his
eyes]
are universal.

RICHARD SANSOM:
Hi Jud,
No, I do not crinkle up my eyes, since on
my cross of great personal wisdom,
I say:
forgive them for they know not what
they
do -- or think. The great crutch of
'universal
laws' allows one to be religious while
claiming
to be non-religious. Belief in such
laws
are no more certain than the laws of
Moses.They
are purely inductive [see Karl Popper!]
and
cannot be proved for the cosmos over
all
time. Scientific faith is as strong
as that
of the Baptist preacher.

RICHARD SANSOM:
Richard: So-called open and closed systems
are simply convenient constructs. I
do not
believe there is any such thing as
a totally
closed system except in a hypothetical
sense.

JUD EVANS:
If the cosmos is an open system that goes
on for-ever-and-ever then it means
that parts
of that for-ever-and-ever will eventually
be affected by other [even far-flung]
parts
of the for-ever-and-ever. I was as
usual
impressed by both contributions and
Richard's
mention of the 'replicating molecules'
hit
me right in the solar plexus. It never
occurred
to me that inanimate matter could replicate
itself - I always mistakenly [or unthinkingly]
assumed that replication was a feature
that
was only possible of organic matter.

RICHARD SANSOM:
Jud, the definition of an organic compound
is simply that it must contain carbon and
some other elements like hydrogen or nitrogen,
etc. I believe the first replications occurred
with what are called organic compounds though
they are certainly not living. Inorganic
compounds are simply those that do not contain
hydrocarbons
-- combinations of carbon and hydrogen.
i. e. Without carbon, we aint here.

GARY. C. MOORE:
Dear Jud, Richard, Jon, Antonio, and Eric
[I would think my last few letters would
interest you.]
Now that I am in an unhealthy but exuberant
mood and do not have to go to work
today,
I would like to add this rather random
addentum
of almost poetic effusion to my last
letter
to Richard. Remember, these words are
highly
undisciplined and random and if you
cannot
find anything wrong with them, you
are not
trying very hard.
KEY POINTS TO NOTE BEFORE BEGINNING:
1] It shall concern the aready several
related
subjects, open vs closed systems in
as full
as expansive inclusion and impact as
possible:
that we are always already within the
systems
and can never be in any logically valid
way
- though maybe poetic - outside them.
2] It shall concern Doctor Hannibal
Lecter
which I know Richard does not like.
But,
for the while put aside your judgments
on
the matter, completely drop the visual
impact
of the movies, and only consider the
written
words of the novels, regardless of
whether
you have read them or not. I think
I can
rely upon Jud to back me up when I
say I
have some expertise in the analysis
of the
verbal forms within the novels I hope?
And
also remember some of Hannibal's most
savage
attacks, though without a rise in heart
rate,
have been upon his 'fellow' medical
personel.
3] Richard and I have had our disagreements
upon how to relate to Japanese culture
and
history but do agree that Japanese
culture
is more highly atuned and systematically
integrated than any other in the world
except
possibly for the Chinese. This shall
relate
to the films of Hadao Myazaki [Anime]
and
the TV series SHOGUN with Richard Chamberlin
and Toshiro Mifune and produced as
much if
not more so, fundamentally by the Japanese
than by the Americans. The key point
here
is politeness and manners, a desire
for simplicity
- not simplemindedness, and clarity
of dialogue
that challenges cultural endulgent
habits
- which the Japanese largely surgically
remove
at least at their more sophisticated
levels
but we Westerners . . . - and fundamental
presuppositions which have their practical
purposes many times not understood
for what
they really intend. Intend, intention.
For
instance politeness and manners do
not necessarily
exist because people want to be inherently
nice to each other - that's bullshit
- but
because that is the only way to conduct
a
clear and straight forward dialogue
between
people without getting turgid with
emotional
turmoil. And, as Jud knows, I relate
this
directly and fundamentally to Hannibal
Lecter.
Now, key to a well rounded understanding
of all these issues is beginning of
a chapter
in HANNIBAL. The person, the Italian
detective,
is reading Marcus Aurelius [this is
one of
the basic reasons one should just put
the
movies COMPLETELY out of one's mind].
Aurelius
is saying we should not take pride
in our
good deeds because such pride is pure
vanity,
that all such ambition for recognition
for
one's virtuous accomplishments is utterly
meaningless and pointless, that doing
good
deeds is simply what one should do
with the
very clear but implicite addendum that,
without
the vanities of pride and ambition
and desire
for personal gain, there is not much
else
one can meaningfully, if pallidly,
do in
this actually meaningless and useless
life
we live. Hume did not like the Stoics,
though
he learned much from them including
certain
ways in how to live, and strangely
enough
the Japanese pay little attention to
them.
If they want Western philosophers they
go
to Heidegger and Nietszche and maybe
a few
other moderns - very rarely Greeks,
especially
the Stoics which, superficially, one
thinks
they would be most interested in. The
heroine
in SHOGUN constantly keeps telling
Chamberlin
'Life is no different from death' which
Marcus
Aurelius would certainly agree with
wholeheartedly
if only by misunderstanding it.
But the Italian detective finds through
the
Stoics' stupidity the Japanese meaning,
though
he doesn't identify it as such, and
realizes
what Aurelius did not that if good
actions
are essentially pointless and meaningless,
and overall all human ambition wortless
from
such a totally detached philosophical
view,
then he is at exactly the same point
as Ivan
Karamazov when he says, 'If God does
not
exist then everything is permitted.'
The
Italian detective then, derived from
his
meditations on Marcus Aurelius' MEDITATIONS,
decides to help capture Hannibal Lecter,
violating all of his former values
and morality,
and 'SELL HIM! SELL HIM! SELL HIM!'
for a
vain and meaningless three million
dollars
in order to please his vain and meaningless
wife.
Now, the Italian detective is in no
way Japanese.
What distinguishes a Japanese? [very
crude]
: discipline, politeness, manners.
One makes
fundamental agreements with others
and keeps
them till death. One does not have
any vanity
about this whatsoever. It is just what
one
must do. When asked, one is polite
in one's
response but one always tells the truth
as
clearly and straightforwardly as possible
- except if one is a politician. And
Japanese
military strategists have learned from
Chinese
military minds that political considerations
may well be needed in their military
activity.
As to politicians this is true of any
culture.
Only in the West do such poor sods
as us
think we have anything politically
meaningful
to say. Japanese 'democracy' is well
guided,
and the Chinese venture in Tiannamin
Square
not only disastrous but not anywhere
near
as wonderful and glorious as portrayed
in
the West even if, now, the Chinese
government
is re-thinking that maybe the repression
was a little too severe. But there
is a context
to be taken into consideration here
either
ignored or even unknown in the West.
I'm
rambling.
The point is, before I thankfully quit
for
now, there are contexts within contexts.
The Western ideal that we can know
everything
is a total delusion, even a harmful
one.
What we can do is form ourselves. But
that
takes first a profound understanding
that
we understand very little about our
selves
and will be able to learn very little
more.
What can be done? Take on forms, knowing
they are just 'forms', that we know
work
fairly well like rationality, INTENSE
honesty
to both oneself and even, as hard as
this
is, to others, discipline even if it
has
no apparent point, politeness and manners
so you can talk things through with
people
and know honestly and as completely
as possible
where one really stands. And that this
has
absolutely nothing to do with being
nice
and sweet and good and moral at all,
but
is simply a practical and effective
way to
live . . . as far as that can actually
go
when, ultimately, all action is meaningless
and pointless. Gary
KEY POINTS 1] It shall concern the aready several related
subjects, open vs closed systems in
as full
as expansive inclusion and impact as
possible:
that we are always already within the
systems
and can never be in any logically valid
way
- though maybe poetic - outside them. 2] It shall concern Doctor Hannibal Lecter
whom I know Richard does not like.
But, for
the while put aside your judgments
on the
matter, completely drop the visual
impact
of the movies, and only consider the
written
words of the novels, regardless of
whether
you have read them or not. I think
I can
rely upon Jud to back me up when I
say I
have some expertise in the analysis
of the
verbal forms in the novels - I hope?
Now, as Jud himself has found out by going
to some of the web sites about Lecter,
Thomas
Harris, like the good former newspaper
reporter
he is, has thoroughly researched all
the subjects Lecter knows about and
is related
to. He certainly has a distinct but
realistic
psychoanalytic technique that he uses
effectively
on Clarice Starling, balanced Sherlock
Holmes'
style upon a reading of who she is
as a person
from her appearance and a dialogue
based
precisely upon the values he knows
she has.
He reads motivations and deals with
them
openly so there can never be evasion.
If
he were simply a criminal there would
be
plenty for Lecter to evade, especially
with
a burgeoning FBI agent. He has a vast
knowledge
of criminology as well as gastronomy
as well
as Renaissance art as well as etc,
etc, etc.
Sometimes one wonders about how much
difference
there is between the author Thomas
Harris
and his fictional creation Doctor Hannibal
Lecter because there is no serial killer
in criminal history like Lecter. He
hides
nothing from someone he has a dialogue
with
unless he hides it openly as a teaser
to
get the other to figure out the puzzle.
Lecter
is definitely into intellectual games
but
they are all bound to reality and action
in the real world. That this is tied
to Harris
himself is obscurely indicated by the
new
introduction he wrote to RED DRAGON,
which
I need to re-read because it indicated
a
point of Lecter's creation in his past,
but
in such a way I missed his point. And,
now,
his new book about Lecter, BEHIND THE
MASK,
supposedly about his earlier life,
though
scheduled for release in November of
2005
and March 23, 2006 has disappeared
from all
the book notices that I had found before
as if it were a product of my fervid
imagination.
Lecter demonstrates he is fully disciplined
and always rationally consistent at
least
on the points brought up, brutally
honest
with others and unembarrassed in talking
about himself. He never negates the
danger
of his presence, and yet always keeps
his
bargains. He never lies, I think, except
to liars, some of whom fully deserve
what
they get, some of whom do not by our
judgment
but not by his because he never forgives
stupidity which Clarice Starling is
intelligent
enough to recognize very fast even
though
his unforgivingly honest observations
about
her hurt her in her deepest core. You
cannot
deceive him and he is much more effective
in that regard as a realistic character
than
Sherlock Holmes is. Lecter always relies
about reading the everyday characteristics
about someone they disregard as unimportant.
I have already brought that same subject
up in a different context. Our so-called
focusing, our so-called intensifying
of intellectual
prowess is actually in many ways a
deleting
of factors we deem irrelevant but actually
tell everything about us and why we
are doing
it, things we may not even clearly
know in
the so-called privacy of our so-called
selves,
that are actually tags hanging on our
clothes,
in our hair, in the tone of our skin,
the
smell of our deodorants, and, of course,
our body language supposedly to be
considered
irrelevant to the linguistic point
we are
making but many times is not completely
missed
by the person listening. And if the
person
is Hannibal Lecter, he is learning
more about
you than you know about yourself.
Part of this is psychoanalytic training,
something easy enough to learn and catch
on to using. But another part, revealed in
HANNIBAL, is Frances Yates' THE ART OF MEMORY
and Jonathan Spence's THE MEMORY PALACE OF
MATTEO RICCI. This are not mere memory cribs
but are rather whole philosophies, mainly
Neoplatonic, mainly Florentine, mainly Renaissance,
where one constructs and arranges one's whole
mind for maximum effictivity OR as a place
to flee in secret rooms when things 'outside'
are, let us say, getting extremely difficult
or extremely boring and one can do absolutely
nothing about it. Whereupon, when the bad
things are over, one comes out fresh as a
daisy and fully prepared to take advantage
of any situation and take action with the
whole concentration of one's body and soul
that is in no way like our so-called focusing
which depends on getting rid of knowledge,
not systematizing the whole of one's present
context – which is what an expert samurai
or Zen master would do – and leads us by
another devious route, on my part, to...
Japan.

GARY. C. MOORE:
Richard and I have had our disagreements
upon how to relate to Japanese culture and
history but do agree that Japanese culture
is more highly atuned and systematically
integrated than any other in the world except
possibly for the Chinese. This shall relate
to the films of Hadao Myazaki [Anime] and
the TV series SHOGUN with Richard Chamberlin
and Toshiro Mifune and produced as much if
not more so, fundamentally by the Japanese
than by the Americans.
The key point here is
politeness and manners, a desire for simplicity
- not simplemindedness - and clarity of dialogue
that challenges culturally self indulgent
habits - which the Japanese largely surgically
remove at least at their more sophisticated
levels but we Westerners . . . - and fundamental
presuppositions which have their practical
purposes many times not understood for what
they really intend. Intend, intention. .
. .
For instance politeness and
manners do not necessarily exist because
people want to be inherently nice to each
other - that's bullshit - but because that
is the only way to conduct a clear and straight-forward
dialogue between people without getting turgid
with emotional turmoil. And, as Jud knows,
I relate this directly and fundamentally
to Hannibal Lecter. Now, key to a well-rounded
understanding of all these issues is beginning
of a chapter in HANNIBAL. The person, the
Italian detective, is reading Marcus Aurelius
[this is one of the basic reasons one should
just put the movies COMPLETELY out of one's
mind].
Aurelius is saying we should
not take pride in our good deeds because
such pride is pure vanity, that all such
ambition for recognition for one's virtuous
accomplishments is utterly meaningless and
pointless, that doing good deeds is simply
what one should do with the very clear but
implicit addendum that, without the vanities
of pride and ambition and desire for personal
gain, there is not much else one can meaningfully,
if placidly, do in this actually meaningless
and useless life we live.
Hume did not like
the Stoics, though he learned much from them
including certain ways in how to live, and
die, and strangely enough the Japanese pay
little attention to them. If they want Western
philosophers, they go to Heidegger and Nietszche
and maybe a few other moderns - very rarely
Greeks, especially the Stoics which, superficially,
one thinks they would be most interested
in. They read Heidegger and Nietzsche in
a very different way than Westerners do.
In fact what they do is a very close precise
reading, weighing each word equally, rather
than reading a whole sentence with an overall
meaning and only then maybe noting subtleties.
Then they put together the close reading
of each word into a context which often aims
in a wholly different direction from our
over-reaching overall initial grasping. In
other words, they treat a philosophical sentence
like we would a line of poetry. The meaning
of the sentence, then, has deliberately limited
effects, more like a way of threading oneself
through the difficulties and obscurities
of living rather than trying to make an overall
statement about some aspect of abstract life.
And so the whole aspect of intellectual judgment
is highly restricted and applicable only
on specific finite points. You end up feeling
you know more detail about the matter, but
the matter 'itself' becomes ambiguous. In
my reading of Heidegger, who loves the Japanese
and Chinese to the point he has been charged
with plagiarism from their literature, I
see there are both aspects confusedly combined
– which, now that I think about it, is how
a nationalist fanatic Japanese politician
thinks but which is in strange contrast to
how non-political Japanese think.
The politicians are bloodthirsty
– with, of course, other peoples' blood than
their own. Japanese commoners obey, but when
they have a chance to express openly their
own personal feelings, they are diametrically
opposed, fundamentally opposed, to the nationalist
political image of the savage, ruthless,
blood thirsty samurai warrior. They are in
a constant state of readiness to act which
the average Westerner only occasionally rises
to, but when a Westerner is prodded into
action he is like a billiard ball moving
under the law of initial, or worse, rolling
faster and faster downhill, out of all emotional
control.
The Japanese and
Chinese are ashamed at losing emotional control
– except politicians and generals who are
under no emotional restrictions unless, by
chance, they are basically good people. Yamashita
is the rare example of the latter. Otherwise
a Japanese leader abides no restrictions
other than possibly the power of other leaders
– which, of course, is no different than
our own. But the common Japanese are raised
in a culture that puts them into the forms
of being good people – ARTISTIC FORMS, and
remember what I said BELOW about 'forms'
essentially being the only valid pathway
of living, that is, you have no overall grasp
of life and ridiculously presupposed meaning
to it – and this common Japanese know from
childhood on [Eric?] – so then your only
rational choice is to design your life as
an artwork. This is one of the reasons why
the Japanese love Nietzsche so much, he said
exactly the same thing. Nietzsche would have
called it 'the will to power as art', a praise
repulsive to most Westerners who automatically
interpret that in a political context.
But Nietzsche had no real interest
in politics at all and only touched upon
it occasionally and then – disparagingly.
The Japanese would interpret it exactly as
Nietzsche intended – the will to force a
form on one's own life as art. And this is
exactly how one must consider Hannibal Lecter.
For observe, he is no politician either,
he does not wish to convert anybody, he does
not have a philosophy to espouse, but he
lives a form of life, whether you like it
or not, he has deliberately and carefully
formed. The heroine in SHOGUN constantly
keeps telling Chamberlin 'Life is no different
from death' which Marcus Aurelius would certainly
agree with wholeheartedly if only by misunderstanding
it. But the Italian detective finds through
the Stoics' stupidity the Japanese meaning,
though he doesn't identify it as such, and
realizes what Aurelius did not, that if good
actions are essentially pointless and meaningless,
and overall all human ambition worthless
from such a totally detached philosophical
view, then he is at exactly the same point
as Ivan Karamazov when he says, 'If God does
not exist then everything is permitted.'
The Italian detective, then, derived from
his meditations on Marcus Aurelius' MEDITATIONS,
decides to help capture Hannibal Lecter,
violating all of his former values and morality,
and 'SELL HIM! SELL HIM! SELL HIM!' for a
vain and meaningless three million dollars
in order to please his vain and meaningless
wife. Now, the Italian detective is in no
way Japanese. What distinguishes a Japanese?
[very crude] : discipline, politeness, manners.
One makes fundamental agreements with others
and keeps them till death. One does not have
any vanity about this whatsoever. It is just
what one must do. When asked, one is polite
in one's response but one always tells the
truth as clearly and straightforwardly as
possible - except if one is a politician.
And Japanese military strategists have learned
from Chinese military minds that political
considerations may well be needed in their
military activity. As to politicians this
is true of any culture.
Only in the West do
such poor sods as us think we have anything
politically meaningful to say. Japanese 'democracy'
is well guided, and the Chinese venture in
Tiannamin Square not only disastrous but
not anywhere near as wonderful and glorious
as portrayed in the West even if, now, the
Chinese government is re-thinking that maybe
the repression was a little too severe. But
there is a context to be taken into consideration
here either ignored or even unknown in the
West. I'm rambling. The point is there are
contexts within contexts. And we are each
deep inside in the very middle of them all.
The Western ideal that
we can know everything is a total delusion,
even a harmful one. What we can do is form
ourselves. But that takes first a profound
understanding that we understand very little
about our selves and will be able to learn
very little more. What can be done? Take
on forms, knowing they are just 'forms',
that we know work fairly well like rationality,
INTENSE honesty to both oneself and even,
as hard as this is, to others - discipline
even if it has no apparent point whatsoever,
politeness and manners so you can talk things
through with people and know honestly and
as completely as possible where one really
stands. And that this has absolutely nothing
to do with being nice and sweet and good
and moral at all, but is simply a practical
and effective way to live . . . as practical
as a Zen Buddhist begging bowl . . . as far
as that can actually be taken when, ultimately,
all action is meaningless and pointless.
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