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Gary's Letters

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The Letters of Gary. C. Moore
Elemental Predomination
Part Two



RICHARD SANSOM:

 Correct me if I am wrong, but both of you seem to be overlooking the possibility [and presently working reality] of intervention by sentient agents. The laws of thermodynamics, gravity, etc, can be thwarted, thus equilibrium, entropy and all such 'natural' inclinations of the cosmos [if there are any] can be altered. How does such intrusion by sentient agents, such as ourselves, play into EP?

GARY. C. MOORE:
Do not take what I say too seriously. It is muddled and merely reactive and maybe wholly inappropriate. The phrase 'intrusion by sentient agents' bothers me, but this is not an objection because what Richard goes on to say I agree with whole heartedly. ….. but the point is, 1] thinking is always a work-in-progress, and second, the actual point I was trying to get to, 2] thinking is always-already within the system being thought about so it cannot be 'intrusive' as it is always-already within it, and 3] the system itself is, by nature of the mortal, finite human existence thinking it, always incomplete, fallible, and the very word 'law' means merely a group of non-systematic facts FORCIBLY correlated together because they seem to fit together, produce results, and can be replicated in scientific experiments. However, I would say the concept 'natural law' is wholly bogus because, as a 'law' it can only be meaningfully enunciated within a CLOSED SYSTEM which is only perceivable by the mind of God which, if no logical objections can be raised and they probably should be, there can be no 'closed systems' whatsoever because the only REAL judge is fallible, finite, and mortal human existence. So a sentient agent cannot 'intrude' into a system, or rather ongoing systematization it is always-already within and which can only observe the immediate, and therefore temporary 'temporary' not in the sense it will change, for instance the law of thermodynamics, but that I can only 'know' it on a momentary, now now now now basis. And that, because of my finite human nature, no, rather because I simply am what I am whatever that is another open unsystematic systematizing in progress.




RICHARD SANSOM:
Gary, if I understand the above, you are saying that as integral elements in the cosmos, we are part of it and intrusion is superfluous. I agree with you if that is what you mean.


GARY. C. MOORE:
Yes. In my torturous way I was making a statement about the real inherent impossibility of closed systems which, to make things worse, is actually just becoming apparent to me or I am just now realizing obvious implications of what I have said in the past. This in turn makes any abstraction, including mathematical, actually a very loose 'bag' containing a 'distinct concept' by standards not really completely logical but motivated far more by efficiency of gaining results while snipping off considerations that seem irrelevant to one's purpose in using any purportedly strict, scientific, or mathematical concept. This actually goes back further to the discussion of the 'unity of the brain' which I questioned which in turn brings into question the 'unity' of the personality or the self or any 'clear cut' purpose a supposedly highly focused, intellectually aggressive person may have. However, these are very, very vague thoughts I am merely trying to work through.

But what is beginning to fascinate me is that a sort of genii may have been let out of the bottle in that ANY 'human' activity actually involves MUCH more than what we have our attention focussed upon, and if our 'attention' is brought to some of these points [like, ' Why do you do that with your hand when you talk?' is no longer dismissed as a personal 'quirk' precisely because, upon becoming conscious of it, your whole personality and ability to act to either a minor or a major degree becomes self-conscious and - especially listen to this! - awkward! WHY is becoming 'self-conscious', which according to the rational meaning of the words means a kind of mental focusing, ACTUALLY IN ACTION MEAN - BECOMING UNFOCUSSED AND DISORIENTED? It seems to point to 2 [two] kinds of 'paying attention' that are actually at complete odds with each other, even antagonistic. Am I talking nonsense?

This realization may have to do with my current job distress, anxiety, depression, despair, suicidal tendancies, etc, which even discribing it as such, and then putting those 'irrelevant' things together with the new process of doing 'all' our 'paperwork' on computer - with all the logical contradictions that purported growth in efficiency has brought about - one has MORE paperwork to do not less, one's attention is split between numerous different, equally important things one MUST 'pay attention' to while still being a finite human being that can only be at one place at one time. And then one starts reading about wholesale computer identity thief, first the VA medical records from 1976 in a 'routine' burglery in a 'suburban' home and just now for me but actually 'old news', a thieft from a major credit card sorting concern [I am vague about what 'it' is] of personal data. 'One must stay focused' - but what does that really mean anymore?

I'm running out of time and becoming unfocused. Just to barely touch on with very ill considered thoughts . . .




RICHARD SANSOM:
However, I make the distinction between organic and inorganic entities and in that sense, the organic gopher intrudes into the inorganic earth, and we intrude into the cosmos i. e. sentience intrudes into insentience . If one chooses to make no such distinction, I simply disagree. Perhaps it boils down to the concept of intentionality, I may be entirely wrong, but that concept I ascribe only to organic entities, and only sentient ones at that [Does that mean that sentience = the ability of intentionality? Probably.]. Yes, crystals grow and other natural processes occur as a function of their composition, but growing crystals can surely be separated from my choosing a certain wine?


GARY. C. MOORE:
This is merely speculation now . . . but if one is constructed wholly of basically inorganic elements, would it be all that much of a stretch to say the inorganic nonsentient is having sentient intention? Can we say that there really is a distinction, especially considering what I said above and elsewhere about the impossibily of disregarding supposedly extraneous events and closed systems comprehensible only by God, between sentient and insentient. Another way to put it, what do we do - OR do 'we' do? do 'I' do? - when 'we' think? Doe we think in actuality always in the plural and is focusing of intent merely a spiritualist mythology?

All for now. Now remember, I am truly very fuzzy about ALL of this.



JUD EVANS: 

The first thing I wonder about is whether the cosmos [everything-there-is-for-ever-and ever] REALLY is a closed system? Nobody on God's earth knows this, so how can they describe it as a closed system? Intuitively [my guess] is that it is completely the opposite, and the cosmos is an 'unclosed' everything-there-is-for-ever-and ever system that extends for ever in every direction. I say to those who claim otherwise: *Describe what the boundaries are, and what they are made of?* And if he answers:
*They are made of nothing,* I would answer: 'Ok! Go and make me a 'nothing sandwich' with plenty of 'nothing sauce!'


JON NEIVENS
I guess it’s more a question of how you define ‘closed’ in this context. The Earth isn’t a closed system because it’s powered by the Sun, i. e., there’s energy entering the system from outside. So I’d say the idea of boundaries isn’t really the issue in this context.



JUD EVANS: 

In the context you mention I agree. If the cosmos is an open system that goes on for-ever-and-ever then it means that parts of that for-ever-and-ever will eventually be affected by other [even far-flung] parts of the for-ever-and-ever. Even on lil' ole' earth hundreds of years ago, Chinese goods reached Iceland which must have seemed light-years apart in the 11th century.

JON NEIVENS
I guess the $64,000 question there would be whether the ‘laws of physics’ are uniform throughout the universe. If there are some parts that are ‘subject to different laws’ and those parts interacted with our portion of the universe, then that would certainly produce interesting results.



JUD EVANS: 
Spot on! We will never know for sure. The general vibes I get from the scientific reading I do [more *come-across* than seek out I admit] is that many if not most scientists seem to believe that the *laws of physics* [I can see Richard crinkling up his eyes] are universal.




RICHARD SANSOM:

Hi Jud,
No, I do not crinkle up my eyes, since on my cross of great personal wisdom, I say: forgive them for they know not what they do -- or think. The great crutch of 'universal laws' allows one to be religious while claiming to be non-religious. Belief in such laws are no more certain than the laws of Moses.They are purely inductive [see Karl Popper!] and cannot be proved for the cosmos over all time. Scientific faith is as strong as that of the Baptist preacher.






RICHARD SANSOM:
Richard: So-called open and closed systems are simply convenient constructs. I do not believe there is any such thing as a totally closed system except in a hypothetical sense.


JUD EVANS:
 

If the cosmos is an open system that goes on for-ever-and-ever then it means that parts of that for-ever-and-ever will eventually be affected by other [even far-flung] parts of the for-ever-and-ever. I was as usual impressed by both contributions and Richard's mention of the 'replicating molecules' hit me right in the solar plexus. It never occurred to me that inanimate matter could replicate itself - I always mistakenly [or unthinkingly] assumed that replication was a feature that was only possible of organic matter.




RICHARD SANSOM:
Jud, the definition of an organic compound is simply that it must contain carbon and some other elements like hydrogen or nitrogen, etc. I believe the first replications occurred with what are called organic compounds though they are certainly not living. Inorganic compounds are simply those that do not contain hydrocarbons
-- combinations of carbon and hydrogen. i. e. Without carbon, we aint here.


GARY. C. MOORE:
Dear Jud, Richard, Jon, Antonio, and Eric [I would think my last few letters would interest you.]

Now that I am in an unhealthy but exuberant mood and do not have to go to work today, I would like to add this rather random addentum of almost poetic effusion to my last letter to Richard. Remember, these words are highly undisciplined and random and if you cannot find anything wrong with them, you are not trying very hard.

                                      KEY POINTS TO NOTE BEFORE BEGINNING:
1] It shall concern the aready several related subjects, open vs closed systems in as full as expansive inclusion and impact as possible: that we are always already within the systems and can never be in any logically valid way - though maybe poetic - outside them.

2] It shall concern Doctor Hannibal Lecter which I know Richard does not like. But, for the while put aside your judgments on the matter, completely drop the visual impact of the movies, and only consider the written words of the novels, regardless of whether you have read them or not. I think I can rely upon Jud to back me up when I say I have some expertise in the analysis of the verbal forms within the novels I hope? And also remember some of Hannibal's most savage attacks, though without a rise in heart rate, have been upon his 'fellow' medical personel.

3] Richard and I have had our disagreements upon how to relate to Japanese culture and history but do agree that Japanese culture is more highly atuned and systematically integrated than any other in the world except possibly for the Chinese. This shall relate to the films of Hadao Myazaki [Anime] and the TV series SHOGUN with Richard Chamberlin and Toshiro Mifune and produced as much if not more so, fundamentally by the Japanese than by the Americans. The key point here is politeness and manners, a desire for simplicity - not simplemindedness, and clarity of dialogue that challenges cultural endulgent habits - which the Japanese largely surgically remove at least at their more sophisticated levels but we Westerners . . . - and fundamental presuppositions which have their practical purposes many times not understood for what they really intend. Intend, intention. For instance politeness and manners do not necessarily exist because people want to be inherently nice to each other - that's bullshit - but because that is the only way to conduct a clear and straight forward dialogue between people without getting turgid with emotional turmoil. And, as Jud knows, I relate this directly and fundamentally to Hannibal Lecter.

Now, key to a well rounded understanding of all these issues is beginning of a chapter in HANNIBAL. The person, the Italian detective, is reading Marcus Aurelius [this is one of the basic reasons one should just put the movies COMPLETELY out of one's mind]. Aurelius is saying we should not take pride in our good deeds because such pride is pure vanity, that all such ambition for recognition for one's virtuous accomplishments is utterly meaningless and pointless, that doing good deeds is simply what one should do with the very clear but implicite addendum that, without the vanities of pride and ambition and desire for personal gain, there is not much else one can meaningfully, if pallidly, do in this actually meaningless and useless life we live. Hume did not like the Stoics, though he learned much from them including certain ways in how to live, and strangely enough the Japanese pay little attention to them. If they want Western philosophers they go to Heidegger and Nietszche and maybe a few other moderns - very rarely Greeks, especially the Stoics which, superficially, one thinks they would be most interested in. The heroine in SHOGUN constantly keeps telling Chamberlin 'Life is no different from death' which Marcus Aurelius would certainly agree with wholeheartedly if only by misunderstanding it.

But the Italian detective finds through the Stoics' stupidity the Japanese meaning, though he doesn't identify it as such, and realizes what Aurelius did not that if good actions are essentially pointless and meaningless, and overall all human ambition wortless from such a totally detached philosophical view, then he is at exactly the same point as Ivan Karamazov when he says, 'If God does not exist then everything is permitted.' The Italian detective then, derived from his meditations on Marcus Aurelius' MEDITATIONS, decides to help capture Hannibal Lecter, violating all of his former values and morality, and 'SELL HIM! SELL HIM! SELL HIM!' for a vain and meaningless three million dollars in order to please his vain and meaningless wife.

Now, the Italian detective is in no way Japanese. What distinguishes a Japanese? [very crude] : discipline, politeness, manners. One makes fundamental agreements with others and keeps them till death. One does not have any vanity about this whatsoever. It is just what one must do. When asked, one is polite in one's response but one always tells the truth as clearly and straightforwardly as possible - except if one is a politician. And Japanese military strategists have learned from Chinese military minds that political considerations may well be needed in their military activity. As to politicians this is true of any culture. Only in the West do such poor sods as us think we have anything politically meaningful to say. Japanese 'democracy' is well guided, and the Chinese venture in Tiannamin Square not only disastrous but not anywhere near as wonderful and glorious as portrayed in the West even if, now, the Chinese government is re-thinking that maybe the repression was a little too severe. But there is a context to be taken into consideration here either ignored or even unknown in the West. I'm rambling.

The point is, before I thankfully quit for now, there are contexts within contexts. The Western ideal that we can know everything is a total delusion, even a harmful one. What we can do is form ourselves. But that takes first a profound understanding that we understand very little about our selves and will be able to learn very little more. What can be done? Take on forms, knowing they are just 'forms', that we know work fairly well like rationality, INTENSE honesty to both oneself and even, as hard as this is, to others, discipline even if it has no apparent point, politeness and manners so you can talk things through with people and know honestly and as completely as possible where one really stands. And that this has absolutely nothing to do with being nice and sweet and good and moral at all, but is simply a practical and effective way to live . . . as far as that can actually go when, ultimately, all action is meaningless and pointless. Gary


KEY POINTS
1] It shall concern the aready several related subjects, open vs closed systems in as full as expansive inclusion and impact as possible: that we are always already within the systems and can never be in any logically valid way - though maybe poetic - outside them.
2] It shall concern Doctor Hannibal Lecter whom I know Richard does not like. But, for the while put aside your judgments on the matter, completely drop the visual impact of the movies, and only consider the written words of the novels, regardless of whether you have read them or not. I think I can rely upon Jud to back me up when I say I have some expertise in the analysis of the verbal forms in the novels - I hope?

Now, as Jud himself has found out by going to some of the web sites about Lecter, Thomas Harris, like the good former newspaper reporter he is, has thoroughly researched all the subjects Lecter knows about and is related to. He certainly has a distinct but realistic psychoanalytic technique that he uses effectively on Clarice Starling, balanced Sherlock Holmes' style upon a reading of who she is as a person from her appearance and a dialogue based precisely upon the values he knows she has. He reads motivations and deals with them openly so there can never be evasion. If he were simply a criminal there would be plenty for Lecter to evade, especially with a burgeoning FBI agent. He has a vast knowledge of criminology as well as gastronomy as well as Renaissance art as well as etc, etc, etc. Sometimes one wonders about how much difference there is between the author Thomas Harris and his fictional creation Doctor Hannibal Lecter because there is no serial killer in criminal history like Lecter. He hides nothing from someone he has a dialogue with unless he hides it openly as a teaser to get the other to figure out the puzzle. Lecter is definitely into intellectual games but they are all bound to reality and action in the real world. That this is tied to Harris himself is obscurely indicated by the new introduction he wrote to RED DRAGON, which I need to re-read because it indicated a point of Lecter's creation in his past, but in such a way I missed his point. And, now, his new book about Lecter, BEHIND THE MASK, supposedly about his earlier life, though scheduled for release in November of 2005 and March 23, 2006 has disappeared from all the book notices that I had found before as if it were a product of my fervid imagination.

Lecter demonstrates he is fully disciplined and always rationally consistent at least on the points brought up, brutally honest with others and unembarrassed in talking about himself. He never negates the danger of his presence, and yet always keeps his bargains. He never lies, I think, except to liars, some of whom fully deserve what they get, some of whom do not by our judgment but not by his because he never forgives stupidity which Clarice Starling is intelligent enough to recognize very fast even though his unforgivingly honest observations about her hurt her in her deepest core. You cannot deceive him and he is much more effective in that regard as a realistic character than Sherlock Holmes is. Lecter always relies about reading the everyday characteristics about someone they disregard as unimportant.

I have already brought that same subject up in a different context. Our so-called focusing, our so-called intensifying of intellectual prowess is actually in many ways a deleting of factors we deem irrelevant but actually tell everything about us and why we are doing it, things we may not even clearly know in the so-called privacy of our so-called selves, that are actually tags hanging on our clothes, in our hair, in the tone of our skin, the smell of our deodorants, and, of course, our body language supposedly to be considered irrelevant to the linguistic point we are making but many times is not completely missed by the person listening. And if the person is Hannibal Lecter, he is learning more about you than you know about yourself.

Part of this is psychoanalytic training, something easy enough to learn and catch on to using. But another part, revealed in HANNIBAL, is Frances Yates' THE ART OF MEMORY and Jonathan Spence's THE MEMORY PALACE OF MATTEO RICCI. This are not mere memory cribs but are rather whole philosophies, mainly Neoplatonic, mainly Florentine, mainly Renaissance, where one constructs and arranges one's whole mind for maximum effictivity OR as a place to flee in secret rooms when things 'outside' are, let us say, getting extremely difficult or extremely boring and one can do absolutely nothing about it. Whereupon, when the bad things are over, one comes out fresh as a daisy and fully prepared to take advantage of any situation and take action with the whole concentration of one's body and soul that is in no way like our so-called focusing which depends on getting rid of knowledge, not systematizing the whole of one's present context – which is what an expert samurai or Zen master would do – and leads us by another devious route, on my part, to... Japan.

                                                           
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GARY. C. MOORE:

Richard and I have had our disagreements upon how to relate to Japanese culture and history but do agree that Japanese culture is more highly atuned and systematically integrated than any other in the world except possibly for the Chinese. This shall relate to the films of Hadao Myazaki [Anime] and the TV series SHOGUN with Richard Chamberlin and Toshiro Mifune and produced as much if not more so, fundamentally by the Japanese than by the Americans.

     The key point here is politeness and manners, a desire for simplicity - not simplemindedness - and clarity of dialogue that challenges culturally self indulgent habits - which the Japanese largely surgically remove at least at their more sophisticated levels but we Westerners . . . - and fundamental presuppositions which have their practical purposes many times not understood for what they really intend. Intend, intention. . . .

    For instance politeness and manners do not necessarily exist because people want to be inherently nice to each other - that's bullshit - but because that is the only way to conduct a clear and straight-forward dialogue between people without getting turgid with emotional turmoil. And, as Jud knows, I relate this directly and fundamentally to Hannibal Lecter. Now, key to a well-rounded understanding of all these issues is beginning of a chapter in HANNIBAL. The person, the Italian detective, is reading Marcus Aurelius [this is one of the basic reasons one should just put the movies COMPLETELY out of one's mind].

   Aurelius is saying we should not take pride in our good deeds because such pride is pure vanity, that all such ambition for recognition for one's virtuous accomplishments is utterly meaningless and pointless, that doing good deeds is simply what one should do with the very clear but implicit addendum that, without the vanities of pride and ambition and desire for personal gain, there is not much else one can meaningfully, if placidly, do in this actually meaningless and useless life we live.

       Hume did not like the Stoics, though he learned much from them including certain ways in how to live, and die, and strangely enough the Japanese pay little attention to them. If they want Western philosophers, they go to Heidegger and Nietszche and maybe a few other moderns - very rarely Greeks, especially the Stoics which, superficially, one thinks they would be most interested in. They read Heidegger and Nietzsche in a very different way than Westerners do. In fact what they do is a very close precise reading, weighing each word equally, rather than reading a whole sentence with an overall meaning and only then maybe noting subtleties.

             Then they put together the close reading of each word into a context which often aims in a wholly different direction from our over-reaching overall initial grasping. In other words, they treat a philosophical sentence like we would a line of poetry. The meaning of the sentence, then, has deliberately limited effects, more like a way of threading oneself through the difficulties and obscurities of living rather than trying to make an overall statement about some aspect of abstract life. And so the whole aspect of intellectual judgment is highly restricted and applicable only on specific finite points. You end up feeling you know more detail about the matter, but the matter 'itself' becomes ambiguous. In my reading of Heidegger, who loves the Japanese and Chinese to the point he has been charged with plagiarism from their literature, I see there are both aspects confusedly combined – which, now that I think about it, is how a nationalist fanatic Japanese politician thinks but which is in strange contrast to how non-political Japanese think.

     The politicians are bloodthirsty – with, of course, other peoples' blood than their own. Japanese commoners obey, but when they have a chance to express openly their own personal feelings, they are diametrically opposed, fundamentally opposed, to the nationalist political image of the savage, ruthless, blood thirsty samurai warrior. They are in a constant state of readiness to act which the average Westerner only occasionally rises to, but when a Westerner is prodded into action he is like a billiard ball moving under the law of initial, or worse, rolling faster and faster downhill, out of all emotional control.


       The Japanese and Chinese are ashamed at losing emotional control – except politicians and generals who are under no emotional restrictions unless, by chance, they are basically good people. Yamashita is the rare example of the latter. Otherwise a Japanese leader abides no restrictions other than possibly the power of other leaders – which, of course, is no different than our own. But the common Japanese are raised in a culture that puts them into the forms of being good people – ARTISTIC FORMS, and remember what I said BELOW about 'forms' essentially being the only valid pathway of living, that is, you have no overall grasp of life and ridiculously presupposed meaning to it – and this common Japanese know from childhood on [Eric?] – so then your only rational choice is to design your life as an artwork. This is one of the reasons why the Japanese love Nietzsche so much, he said exactly the same thing. Nietzsche would have called it 'the will to power as art', a praise repulsive to most Westerners who automatically interpret that in a political context.

              But Nietzsche had no real interest in politics at all and only touched upon it occasionally and then – disparagingly. The Japanese would interpret it exactly as Nietzsche intended – the will to force a form on one's own life as art. And this is exactly how one must consider Hannibal Lecter. For observe, he is no politician either, he does not wish to convert anybody, he does not have a philosophy to espouse, but he lives a form of life, whether you like it or not, he has deliberately and carefully formed. The heroine in SHOGUN constantly keeps telling Chamberlin 'Life is no different from death' which Marcus Aurelius would certainly agree with wholeheartedly if only by misunderstanding it. But the Italian detective finds through the Stoics' stupidity the Japanese meaning, though he doesn't identify it as such, and realizes what Aurelius did not, that if good actions are essentially pointless and meaningless, and overall all human ambition worthless from such a totally detached philosophical view, then he is at exactly the same point as Ivan Karamazov when he says, 'If God does not exist then everything is permitted.' The Italian detective, then, derived from his meditations on Marcus Aurelius' MEDITATIONS, decides to help capture Hannibal Lecter, violating all of his former values and morality, and 'SELL HIM! SELL HIM! SELL HIM!' for a vain and meaningless three million dollars in order to please his vain and meaningless wife. Now, the Italian detective is in no way Japanese. What distinguishes a Japanese? [very crude] : discipline, politeness, manners. One makes fundamental agreements with others and keeps them till death. One does not have any vanity about this whatsoever. It is just what one must do. When asked, one is polite in one's response but one always tells the truth as clearly and straightforwardly as possible - except if one is a politician. And Japanese military strategists have learned from Chinese military minds that political considerations may well be needed in their military activity. As to politicians this is true of any culture.

      Only in the West do such poor sods as us think we have anything politically meaningful to say. Japanese 'democracy' is well guided, and the Chinese venture in Tiannamin Square not only disastrous but not anywhere near as wonderful and glorious as portrayed in the West even if, now, the Chinese government is re-thinking that maybe the repression was a little too severe. But there is a context to be taken into consideration here either ignored or even unknown in the West. I'm rambling. The point is there are contexts within contexts. And we are each deep inside in the very middle of them all.

      The Western ideal that we can know everything is a total delusion, even a harmful one. What we can do is form ourselves. But that takes first a profound understanding that we understand very little about our selves and will be able to learn very little more. What can be done? Take on forms, knowing they are just 'forms', that we know work fairly well like rationality, INTENSE honesty to both oneself and even, as hard as this is, to others - discipline even if it has no apparent point whatsoever, politeness and manners so you can talk things through with people and know honestly and as completely as possible where one really stands. And that this has absolutely nothing to do with being nice and sweet and good and moral at all, but is simply a practical and effective way to live . . . as practical as a Zen Buddhist begging bowl . . . as far as that can actually be taken when, ultimately, all action is meaningless and pointless.

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