WORLD WAR TWO EVACUEE

PART TWO - BURFORD HOUSE GARDENS
Into my heart an air that kills
From yon far country blows:
What are those blue remembered hills,
What spires, what farms are those?
That is the land of lost content,
I see it shining plain,
the happy highways where I went
And cannot come again.
(From A Shropshire Lad by A. E. Houseman)
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'Come along then Sunny Jim!' says Charlie.
The big countryman always
calls me: 'Sunny
Jim.' He carries my little
suitcase as we
walk the short distance
from Burford School
towards the church of St.
Mary Burford. We
turn off the main road
and walk down an avenue
of red and golden leaved
sycamores that filter
the pale evening light
into a roseate glow.
We hear the sound of laughter
and pass white-flanneled
figures sprawled in candy
striped deckchairs
on the rectory lawn. In
a few minutes, we
arrive at the church and
the entry to Burford
Gardens.
At the time of the Doomsday Survey of 1086,
Burford was one of the
larger manors in South
Shropshire. Burford means
the 'burg' or 'fortified
place by the ford and indicates
a pre-Norman
settlement on or close
to the parish church.
The very way in which Burford
church was
mentioned in the Doomsday
Book implied that
it wasn't a new church
even then. The old
narrow arch, which used
to divide the nave
from the chancel, was believed
by some to
be of a Saxon architectural
form.
The entrance to the churchyard is through
a fine example of a "modem"
lychgate,
erected in 1889 by friends
and tenants of
Burford Estates, in memory
of George, Lord
Northwick. A lych-gate
got its name as the
place where the coffin
bearers at a funeral
rested the lyche (the body
of the deceased)
before entering the church
grounds
At Burford
church we turn right, and walk down the long
drive towards the large gardener's house.
We pass a rectangular pond with its borders
of swaying blue narcissus plants with sword-shaped
leaves and erect stalks bearing bright-coloured
flowers.
Dabbling moorhens scurry about
self importantly among the waterlily pads
on the slimy-green water. We pass a white,
pillared, concave, open fronted building,
which I'll later learn is an eighteenth century
imitation of Greek temple.
We walk towards a house
with high-pitched roofs and tall chimneys.
The tall, burly countryman with the grey
herring-bone pattern cap his severe-looking,
baggy-eyed wife in her prim thirties-style
hat and a tired little boy with his buck
teeth and small steel-rimmed spectacles,
his evacuees label flapping in the wind.
An unlikely threesome in the September twilight
- three figures from a bygone landscape.
The entrance to the churchyard
is through
a fine example of a "modem"
lychgate,
erected in 1889 by friends
and tenants of
Burford Estates, in memory
of George, Lord
Northwick. A lych-gate
got its name as the
place where the coffin
bearers at a funeral
rested the lyche (the body
of the deceased)
before entering the church
grounds
At Burford church
we turn right, and walk down the long drive
towards the large gardener's house. We pass
a rectangular pond with its borders of swaying
blue narcissus plants with sword-shaped leaves
and erect stalks bearing bright-coloured
flowers.
Dabbling moorhens scurry about self importantly
among the waterlily pads on the slimy-green
water.
We pass a white, pillared,
concave, open fronted building, which I'll
later learn is an eighteenth century imitation
of Greek temple. We walk towards a house
with high-pitched roofs and tall chimneys.
The tall, burly countryman with the grey
herring-bone pattern cap his severe-looking,
baggy-eyed wife in her prim thirties-style
hat and a tired little boy with his buck
teeth and small steel-rimmed spectacles,
his evacuees label flapping in the wind.
An unlikely threesome in the September twilight
- three figures from a bygone landscape.
This is to be
my home. Here is where I'll spend the next
four years of my young life? 'Go and look
round the garden little nipper,' chuckles
big Uncle Charlie.
I wander into
the walled garden at the rear of the house.
It has that typical warm pinkish crumbling
brickwork of the nineteenth century. There
are lots of wooden forcing frames and greenhouses.
I look through the streaky glass of the hothouses,
and see the fat, rusted heating pipes under
the slatted wooden shelves with their burden
of seedling trays. Peach and apricot plants
bifurcate their way up the beige brickwork
like nectarine engrafts with their hands
held high in surrender. The plants are frozen
to the masonry proscenium as if caught in
the act...
This is to be my home.
Here is where I'll
spend the next four years
of my young life?
'Go and look round the
garden little nipper,'
chuckles big Uncle Charlie.
I wander into
the walled garden at the rear of the house.
It has that typical warm pinkish crumbling
brickwork of the nineteenth century. There
are lots of wooden forcing frames and greenhouses.
I look through the streaky glass of the hothouses,
and see the fat, rusted heating pipes under
the slatted wooden shelves with their burden
of seedling trays. Peach and apricot plants
bifurcate their way up the beige brickwork
like nectarine engrafts with their hands
held high in surrender. The plants are frozen
to the masonry proscenium as if caught in
the act..
At the far end of the walled garden, hiding
shyly behind an extended fan of dwarf roses
- a bed of Lilly of the Valley, conceal their white, nodding, chaste, bell-heads.
Their delicate scent bestows an aura of reverential
immortality to this magical Elysium. I can
still remember the feeling of intoxication
and tiredness.
Of course, my young mind doesn't conceptualise
these things as I do now, but I like to dream
or imagine - at this more than
half century historical remove - that the
nimbus of perception touched me in that solitary
witching moment, and maybe fired a bolt of
knowingness into my innocent eyes.
Later I'm taken to the scullery and given
a good hot bath. Then Charlie says. 'Up the
dancers, first door on the right.'
Auntie Horton takes me upstairs and tucks
me into a bed in the small bedroon.
The sheets are crisp and clean. Downstairs,
I hear the Westminster Chiming clock striking
twelve midnight:
Dong-ding,
dong-ding - ding-dong, ding-dong.
Dong-ding, dong-ding,
- ding-dong, ding-dong.
Dong, dong, dong,
dong, dong, dong,
dong,
dong,dong,dong, dong, dong.
Can you discern the melody?
Burford House was built in 1728 for William
Bowles, M. P. for Bewdley and proprietor
of London's famous Vauxhall glass works. The house, which is an excellent example
of Provincial Georgian architecture, stands
on one of the country's most historic sites,
that of Burford Castle, which dated back to Saxon times. It is
recorded that during the reign of Edward
the Confessor, Richard, son of Scrob held
Richards Castle together with vast lands including Burford.
It then descended through the de Says, and
Mortimers to Sir Geoffrey Cornwall who became
the first Baron of Burford.
It remained in the Cornwall family for the
next 400 years when Francis, the 16th and
last Baron, sold the Castle, then in ruins,
to William Bowles. Many relics of the once
powerful Cornwall family may be seen in the
nearby Burford Church.William Bowles MP, who proceeded to build
Burford House in 1728.
It remained in the Rushout (Northwick) family
for some generations. When I'm at Burford
House Gardens the property belongs to Lord
and Lady Whitbread of the brewing family.
It was sold in the early nineteen fifties
to John Treasure and his brother.
There's an old wireless in the dining room.
In these wartime years, the wireless is a
very important item in every home that can
afford one. Very few of them are mains electric.
Most of them work by connection to a glass
accumulator and a square battery about the
size of a small handbag. The accumulator
is filled with acid, which you can see through
the thick glass sloshing around the metal
plates inside. It has to be recharged every
week.
We take it to a little shop in Market street
in Tenbury and leave it there, whilst at
the same time picking up another accumulator
we'd left for recharging the week before.
It has a rather awkward wire carrying handle
with a wooden roller as a grip on. It is
heavy to carry.
After our meal, we go to listen to the news
from London. I'm allowed to listen to children's
hour, and shortly after that, I'm put to
bed. There are plays, music recitals, and
comedy shows. There's Tommy Handley in the
ITMA show with all the funny catch phrases.
There's Mona Lott, the cleaning lady, 'Can I do you now sir?
and 'It's bein' so cheerful that keeps me
goin'. Colonel Chinstrap - 'I don't mind if I do.' There's no commercial
radio at that time of course. We have the
BBC Light Programme, the BBC Home service
and the BBC Third Programme.
Some popular songs
are played many times in one day. The popular
wartime song is always on the wireless. It's
inspired by the fact that in the period of
the so-called phoney war, the only casualty
caused by Hitler's bombs is a rabbit. Of
course, it isn't long before the wits substitute
the name Adolf for rabbit and it isn't long before Charlie introduces
me to the art a rabbit shooting.
'Run rabbit, run rabbit, run, run, run,
The farmer is coming with his gun, gun, gun.
We'll get by without our rabbit pie,
So, run rabbit, run rabbit, run, run, run.'
http://www.britishpathe.com/video/run-adolf-run Run Rabbit Run - Flanagan & Allen
In Liverpool, 95,000 children
were evacuated from the city as War broke
out in September 1939. 57,000 of these were
school children, and 31,000 were mothers
and children under five years of age. However,
as it appeared that the city was in no immediate
danger from German bombing attacks, around
40% of the children were returned home by
January 1940.
51,000 evacuees from Liverpool
were sent
to Lancashire, Cheshire, Shropshire and Herefordshire
in England. Another 44,000 evacuees were
sent to live in Wales.
Heavy bombing of Merseyside
began, however,
in August 1940, and became more frequent
throughout the year. The second programme
of evacuation began following the ‘Christmas
raids’ of 1940. Between 20-22 December 1940,
1,399 children were rushed out of Liverpool.
Thousands more children were evacuated during
the ‘May Blitz’ of 1941.
Liverpool was severely damaged. 3/4 May 1941
As the bombing threat to
Merseyside lessened
after the summer of 1941, more and more evacuated
children began returning home, particularly
in late 1944.
Uncle Charlie has a twelve-bore shotgun.
We walk into the gardens of Burford House
and then he unlocks the padlock to the gate
over the little hump backed bridge across
the Ledwych Brook. We walk into the big field
and make our way down towards the bank of
the Teme where all the rabbit holes are.
The field is shaped like a triangle by the
course of the River Teme and Ledwich Brook
and the tall trees stand like anticipant
spectators awaiting the slaughter to come.
Charlie takes aim at the distant bobbing
brown bodies with their powder-puff tails.
His face is a study in concentration. Charlie
has been a cavalryman in WWI fighting in
France.
Back in the scullery,
Auntie Horton pulls at the skin of the limp
creature, which comes off a sucking, tearing,
plop. She eviscerates the stomach and gives
the offal to Bonzo. The pink-eyed Bull terrier
salivates in greedy anticipation outside
in a kennel, surrounded by soil covered bones.
She cuts the small nude body into pieces
and drops it into a big, black witch's cauldron.
She adds vegetables from the garden, basil,
and thyme from the herbarium . She fetches
a drip pan of stock and pours some into the
huge container over the bloodied body parts
of the dead rabbit. Then holding the curved
handle with a gloved hand, she plunks it
down on flames of the Aga cooker and rakes
the coals beneath.

The first time I refuse meat they're very
perplexed and vexed. They assume I'm sick
and consider calling the doctor. It takes
them a long while to understand I simply
won't eat it and I've a natural inborn revulsion
for eating dead flesh. Countryfolk find vegetarians
rather bizarre.
Things turn out OK though. After all, they
run one of the largest vegetable gardens
in the district. Although the gardens in
peacetime are flower gardens, meant to bring
joy to the absentee owners, Lord and Lady
Whitbread on their occasional visits, the
wartime regulations insist that all cultivatable
land is given over to the growth of vegetables
and fruit.
In some areas, even public parks are used
for horticultural purposes. The Ministry of Agriculture is very strict about this law, and any smallholder
caught growing flowers for sale is dealt
with very severely. I am never short of high
quality vegetables fresh from the garden.
At that time, I eat eggs. My brown-feathered
clucking friends in the hen house provide
a plentiful supply, and it's my job to take
a basket and collect the still warm eggs
from their hideaways in the straw.
NEXT - EVACUEE PART THREE |